S.J.
‘I Lost My Body’ Review
I Lost My Body (originally titled J’ai perdu mon corps in French) from director/co-writer Jérémy Clapin is quite a trip, especially if...
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S.J.
- Feb 4, 2020
‘Parasite’ Review
Parasite (기생충 in Korean) is one of those rare pieces of beautiful cinema that we’re lucky to get from time to time. It’s simply a marvel...
S.J.
- Feb 1, 2020
‘Uncut Gems’ Review
Uncut Gems is quite an adrenaline rush to get through. The Safdie Brothers (Josh and Benny) have created a film that keeps building and...
S.J.
- Feb 1, 2020
‘Klaus’ Review
Klaus might’ve turned out to be the best Christmas movie of the decade. Filled with a gorgeous aesthetic of the northern hemisphere and a...
S.J.
- Feb 1, 2020
‘Gemini Man’ Review
Gemini Man was a rather mellow and unsatisfying journey. Ang Lee’s latest shows up with a familiar premise of hitman facing their biggest...
S.J.
- Jan 25, 2020
‘6 Underground’ Review
6 Underground is Michael Bay-ism at its Michael Bay-est. At its best? Not so much. It’s loud, obnoxious and insanely difficult viewing...
S.J.
- Jan 24, 2020
‘The Two Popes’ Review
The Two Popes is something that when you explain the premise of it, really doesn’t make you want to watch it. I mean it really is mostly...
S.J.
- Jan 20, 2020
‘El Camino: A Breaking Bad Movie’ Review
El Camino: A Breaking Bad Movie could’ve easily been as unnecessary as a movie can be. Director-writer Vince Gilligan's effort to add to...
S.J.
- Jan 18, 2020
‘The Lighthouse’ Review
Director and co-writer Robert Eggers' sophomore film The Lighthouse is a captivating ride from beginning to an end. The film makes you...
S.J.
- Jan 17, 2020
‘The Report’ Review
The Report felt like a stack of homework given to you but something that kind of interests you after getting some explanation....
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