S.J.
‘To All The Boys: P.S. I Still Love You’ Review
After blowing up the Netflix’s own version of box office in 2018, the streaming breakout hit To All The Boys I’ve Loved Before was...
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S.J.
- Feb 17, 2020
‘Waves’ Review
In Waves, the director/writer Trey Edward Shults lays it all out on the table creatively. What follows is an extremely memorable...
S.J.
- Feb 12, 2020
‘Doctor Sleep’ Review
After finishing watching Doctor Sleep, it was baffling to me that this ended up being THE horror film that bombed at the box office in...
S.J.
- Feb 12, 2020
‘I Lost My Body’ Review
I Lost My Body (originally titled J’ai perdu mon corps in French) from director/co-writer Jérémy Clapin is quite a trip, especially if...
S.J.
- Feb 4, 2020
‘Parasite’ Review
Parasite (기생충 in Korean) is one of those rare pieces of beautiful cinema that we’re lucky to get from time to time. It’s simply a marvel...
S.J.
- Feb 2, 2020
‘Uncut Gems’ Review
Uncut Gems is quite an adrenaline rush to get through. The Safdie Brothers (Josh and Benny) have created a film that keeps building and...
S.J.
- Feb 1, 2020
‘Klaus’ Review
Klaus might’ve turned out to be the best Christmas movie of the decade. Filled with a gorgeous aesthetic of the northern hemisphere and a...
S.J.
- Feb 1, 2020
‘Gemini Man’ Review
Gemini Man was a rather mellow and unsatisfying journey. Ang Lee’s latest shows up with a familiar premise of hitman facing their biggest...
S.J.
- Jan 25, 2020
‘6 Underground’ Review
6 Underground is Michael Bay-ism at its Michael Bay-est. At its best? Not so much. It’s loud, obnoxious and insanely difficult viewing...
S.J.
- Jan 24, 2020
‘The Two Popes’ Review
The Two Popes is something that when you explain the premise of it, really doesn’t make you want to watch it. I mean it really is mostly...
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